《油脂现场》是你应该在周日晚上看的音乐剧，有一些精彩的表演和巧妙的**价值。但是怎样才能完成如此复杂的广播呢？好吧，这段来自该剧副导演卡丽·哈维尔的视频向你展示了一小部分动作，哈维尔协调现场画面——跟着《伟大的闪电》唱歌，但所有歌词都被摄像机号码取代：

A lot of people have asked what it means to be the Associate Director on a show like Grease Live. Here's a peek behind the curtain. Every shot in the show was designed and scripted by our director Alex Rudzinski. My job was to execute that plan. You hear me calling shot numbers and camera moves carefully coordinated with the music. My head stays in the script and Alex, to my right, keeps an eye on cameras to adjust framing and pacing. #GreaseLive

下面是哈维尔对发生的事情的描述：

"A lot of people have asked what it means to be the Associate Director on a show like Grease Live. Here's a peek behind the curtain. Every shot in the show was designed and scripted by our director Alex Rudzinski. My job was to execute that plan. You hear me calling shot numbers and camera moves carefully coordinated with the music. My head stays in the script and Alex, to my right, keeps an eye on cameras to adjust framing and pacing."

正如《边缘》的克里斯托弗·普兰特和杰米森·考克斯在他们的评论中指出的那样，这种类型的现场直播非常罕见，需要很多技巧。哈维尔的角色显然让人印象深刻，但试想一下：协调镜头只是表演的一部分，其中包括大量的舞步、闪电般的服装变化，以及一个如此大的拍摄地点，以至于需要用高尔夫球车在场景之间运送演员。它只是表明，当谈到现场表演时，幕后的编舞通常和舞台上的一样令人印象深刻。